Italian painter, Roman school (b. ca. 1590, Viterbo, d. 1625, Roma). Italian painter, active also in Spain. His formative years were spent in Rome, where he went as a boy and where his first teacher was the Viterbese painter Tarquinio Ligustri. Through Ligustri he became acquainted with the aristocratic Roman family headed by the Marchese Virgilio Crescenzi (d 1592) and eventually lived with them in their home near the Pantheon and studied at Giovanni Battista Crescenzi's academy of art.   Related Paintings of CAVAROZZI, Bartolomeo :. | vila | Les etudiants de Salamanque (mk40) | Moses Defending the Daughters of Jethro | det fos ett barnde | Ceiling decoration |
Related Artists:
Johann Jakob de Lose
Johann Jakob de Lose (1755 - 1813), German painter, working in Frankfurt/Main.
michael angelo rooker
Michael, Angelo, Rooker (1746 - 3 Mar 1801) was an English oil and watercolour painter of architecture and landscapes, illustrator and engraver. He was also the principal scene painter at the Haymarket Theatre.
Jean Hey
Flemish Northern Renaissance Painter, active 1480-1500 Until the late 20th century, the name of the painter of the Moulins Triptych was unknown, although art historians identified a number of other works that were evidently by the same hand. The first monograph on the Master of Moulins, written in 1961 by Madeleine Huillet d'Istria, argued that this artist did not actually exist, and that more than 12 different artists were responsible for the corpus of works traditionally ascribed to him. The Master's identity was established after an inscription was found on the reverse of a damaged painting, Christ with Crown of Thorns (1494) in the Royal Museums of Fine Arts of Belgium, Brussels, identifying the artist as Jean Hey, teutonicus and pictor egregius ("the famous painter"), and identifying the patron as Jean Cueillette, who was secretary to the King and an associate of the Bourbon family.Stylistic similarities link this painting to the works attributed to the Master of Moulins. The Master of Moulins appears to have been the court painter for the Bourbons, and from a surviving account for 1502-03, it is clear that the court painter's name was Jean; other candidates once considered plausible, such as Jean Perreal and Jean Prevost, have proven untenable in the light of subsequent research. The term "Teutonicus", or "German" included Flemings at this date.